Complete summary of Sugimori Nobumori’s The Love Suicides at Sonezaki. eNotes plot summaries cover all the significant action of The Love Suicides at. Sonezaki shinju (original title) The Love Suicides at Sonezaki See more» The plot is like half of the kabuki repertoire: a young man loves a geisha, but. In Sonezaki, Osaka Japan, a young man by the name of Tokubei who worked Created various masterworks such as “The Love Suicide at Sonezaki” and “The.

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Because Tokubei loves Ohatsu, he had tried to politely refuse.

The Bunraku Performance: The Love Suicides at Sonezaki

Tokubei’s scrupulously honest and steady performance has impressed him; he wants Tokubei to marry his wife’s niece. It was revived inwith additional scenes added by Chikamatsu, such as the punishment of the villain, but the version typically translated and performed is the version.

Scene three begins with a long and poetic dialogue between the two lovers into which the narrator injects the occasional lamenting comment. You must be a registered user to use the IMDb rating plugin.

Audible Download Audio Books. Views Read Edit View history. In the first scene, Tokubei and an apprentice to their “firm of Hirano in Uchihon Street” are making the rounds of the firm’s customers, delivering their wares and collecting on the bills, when, on the grounds of the Ikutama Shrine in OsakaTokubei encounters his beloved Ohatsu, who berates him for his coldness in not visiting or writing her for some time sondzaki, and also for not confiding in her troubles.


The Love Suicides at Sonezaki | work by Chikamatsu |

Retrieved from ” sonnezaki It is actually bunraku, that is traditional Japanese puppet theater i. Therefore they chose to flee and commit suicide together. Ohatsu can see now way to face a future with Kuheiji and without Tokubei.

Just as he finishes, none other than the very Kuheiji he was speaking of enters the temple grounds at the head of a band of revelers and rowdies.

By using this site, you lov to the Terms of Use and Privacy Policy. Ohatsu has no sooner hidden Tokubei under her robes then Kuheiji and some friends arrogantly stride in. Use the HTML below. The Love Suicides at Sonezaki was the first play for Chikamatsu to write exclusively to be played by puppets, but with the popularity of the play, it has since been adapted to kabuki, movies, modern plays, and even comic books.

Retrieved 23 December The play chronicles the last days of a young merchant, Tokubei, who is conned out of money his family received as a dowry from the family of a young woman.

He is trounced and beaten by Sjicides and his followers. Watch the Top Trailers of Tokubei seizes the chance to ask Kuheiji to repay the now-overdue loan. It was first performed 20 June Monzaemon Chikamatsu playMidori Kurisaki.

Tokubei realizes that he has been perfectly swindled and attacks Kuheiji. We shot it in 19 days, and the last 72 hours of that the whole cast and crew went without sleeping to get it. When Tokubei produces the promissory note Kuheiji had stamped with his seal, Kuheiji dismisses it as an extortion attempt, revealing that before he had stamped the promissory note, he had reported the seal as lost. FILE PDF

Tokubei Ryudo Uzaki works as a soy-sauce maker. The two travel to the “Wood of Tenjin” Tenjin being Sugawara no Michizaneand by an unusual tree in the Sonezaki shrine which has both a pine and palm tree growing out of the same trunk this tree has since dieddecide that this is the place they will do the grim deed. While wt his first one which was probably the puppet play The Soga Successors in nor his most popular which would be The Battles of Coxingait is probably the most popular of his “domestic tragedies” or “domestic plays” sewamono as Donald Keene characterizes the non-historical plays.

So dreadful is the deed that his first stabs with the ta all sonezakki awry, but one blow strikes home in Ohatsu’s sohezaki, and she slowly begins dying. Lovee uncle did not relent but continued to try to convince Tokubei to agree to the match.

The Love Suicides at Sonezaki

You made three pictures with director Yasuzo Masumura. Instead Masumura adopted a theatrical but “sardonic” Sultanik, approach with emphasis through concise editing and close-ups.

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Though it is a period-piece, the actors in the Masumura version were a rock star and a young “idol” starlet.

Articles containing Japanese-language text.