The designer and photographer Fernando Pires has completed a photographic series on Sesc Pompéia, one of Lina Bo Bardi’s most. SESC Pompeia is a cultural centre in the east zone of São Paulo, designed by the architect Lina Bo Bardi, and opened in The site is one. El Centro Cultural SESC de Pompéia es una de las más importantes obras de la arquitecta Lina Bo Bardi, con una intensa expresión plástica a.
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Seen this way, a building is not very different from a sandcastle or a mud pie. With the enormous creativity that characterizes Lina Bo BardiBrazilian architect, the leisure center project SESC Pompeia Factory, rehabilitation and leisure center of an old factory barrels of oil embarking Sao Paulo. This pina a late work of the architect, a return to architecture, as their creative abilities led him to explore other fields collaborations in film, stage opera and theater, writing and journalism, painting, cultural activism, design furniture, fashion and jewelry.
The old middle class neighborhood socioeconomic ho scores due to the commissioning of buildings of high standing, though its inhabitants still face chaotic and constant flooding of streets, a problem exacerbated by the vertical integration and lack of ssesc in infrastructures. The project is planned as aggregation; the context is understood as debris on which it intervenes. Stated another way, is a building that sits between the intervention and invention Philippe Blanc.
The works of Lina Bo Bardi certify a popular creation potential, giving space and voice to make it happen: The projects are an appropriation, digestion and proposal of a new bk local movement, Brazilian, from the incorporation of the people. This idea permeates the concept of free will that distinguishes the work of the architect, as the MASPwith large demonstrations. Accompanying pommpeia existing volume of old cooperage, the architect added two vertical buildings attached to the factory by aerial walkways.
Much of the design of the SESC Pompeia was defined on the ground, as the architect moved his office to the factory during rehabilitation.
The Making of SESC Pompéia by Marcelo Ferraz – Lina Bo Bardi Together Lina Bo Bardi Together
In this project Lina Bo Bardi decided to keep most of the complex as it was bi preserve the pomepia of the place. In order to maintain existing spatial qualities on the site, the architect focused placing objects freely within the space, like a thin concrete structure which divides the main room into a library, an exhibition space and lounge group, with a fireplace and a river that runs through them all.
This ;ompeia center consists of spaces of the old factory and two volumes five floors with a block of tennis, pool, workshop area, library, living rooms and exhibition, auditorium are distributed, a restaurant and a large solarium.
Open for expression or creative process space is frequently invoked by architect at SESC Pompeia, theater dissolves traditional form of theater for opera and adapts to the requirements for the works that she represented.
The public is always in front the other part of the public, contrary to what traditionally happens in a theater in which the audience is faced artists who, in this case, they have to create new forms of expression and behavior in a scenario with two fronts. The new project incorporates internal factory street, making it a stage for spontaneous demonstrations or scheduled performances. The street sloped, enters the cultural and services, program leads the visitor to a reserved area, which mostly houses the pool and sports area.
The original structure was made of reinforced concrete and masonry trusses. The old factory, built from imported and sophisticated technology at the time had to be reinvented.
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The draft proposes SESC Pompeia maintain clearance of the sheds, but suggests catalyze activities and revitalize pompeiia place. The functions of the old structure would ponpeia redesigned and manufacturing technology project become a modern project focused on popular applications like swimming pools, cafeteria, library, exhibition halls, sports facilities, etc. So that the space could accommodate all planned program and keep the old factory building two towers at the end of the field, a decision that granted a monumental aspect to the complex would be necessary.
Some craft construction processes were included pompia the reform of the factory: The mosaics of the bathrooms refer to buildings and folk arts, a mirror of water with pebbles permeates the floor of the shed factory.
Opting to keep the beautiful barns of the old barrel factory and covering the creek with a wooden deck, building terrain impossibilities are respected and pommpeia to the architect to build in two areas, separated by a trickle.
SESC Pompeia Factory
The extension of the functional program that requires vertical integration and distance for two buildable spaces, suggesting no less effective simple solution, but the occupation of the airspace and robust gateways. The result is a seamless integration and continuity in activities, providing circulation spaces. The whole project shows an expressive austerity in material and formal condition, with a strong artistic expression.
In the shuttering of the water tower casting burrs, also in mortar lining the interior walls is controlled. On the walls of the towers were left in sight marks the horizontal and vertical tables and their primitive drilling. In the concrete walls of the volume that houses the courts of SESC can be read not only marks horizontal formwork tables, but also arrivals beams interior slabs and drilling scaffolds: We understand the quality of this translation is not excellent and we are working to replace these with high quality human translations.
Factory elevation above Barao do Bananal. Architecture is better explained in images Follow us on Instagram!
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