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Kerman died at his home in Berkeley on March 17, In addition to obituaries which appeared in the days following his death, two of his former associates in the field of musicology, Professors Roger Parker and Carolyn Abbatepublished some additional comments about working with Kerman in the obituary which they wrote for the British magazine, Opera. From to Kerman held the Charles Eliot Norton Memorial Chair at Harvard Universitywhere he gave a series of public lectures on the importance of approaching musical texts and performances via a ” close reading ” similar to that used in literary studies, a theme that was central to many of his writings.
Joseph Kerman”, Opera LondonJune Volume 65, No 6. Kerman, the son of an American journalist, was born in London and educated at University College School there.
Joseph Kerman Musicologia
With his wife, Vivian Kerman, he wrote the widely used textbook, Listen first published in and now in its 7th edition co-authored by Gary Tomlinson. This page was last muusicologia on 16 Januaryat For Kerman, the value of an opera as drama is undermined when there is a perceived disconnection between text and music.
There, they conclude that “the usual obituary language would not work”  and continue:. Critical essays written by Kerman from the late s to the early s are collected in his book, Write All These Downwhich takes its title from a phrase in one of William Byrd’s songs.
Views Read Edit View history. He based his first book, Opera as Dramaon a series of essays written for The Hudson Review kermaj in His doctoral thesis on Elizabethan madrigals was published in and was notable for contextualizing them in the preceding Italian madrigal tradition.
6. O Movimento da Performance Histórica (Musicologia – Kerman) by George Pessoa on Prezi
Challenges to Musicologywhich argued that the intellectual isolation of musical theorists and musicologists and their excessively positivistic approach had hampered the development of serious musical criticism. From Wikipedia, the free encyclopedia.
Retrieved from ” https: Described in The Grove Dictionary of Music and Musicians as “a defining moment in the field”,  the book has been credited as helping to shape a ” new musicology ” that is willing to engage with feminist theoryhermeneuticsqueer studiesand post-structuralism.