De qué hablamos cuando hablamos de amor has ratings and reviews. Edward said: I’ve read five stories so far in this book of short stories a. De qué hablamos cuando hablamos de amor has ratings and reviews. KFed said: I’ll announce the cliche of my loving this book before you beat. de Que Hablamos Cuando Hablamos de Amor by Raymond Carver, , available at Book Depository with free delivery.
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de Que Hablamos Cuando Hablamos de Amor
Return to Book Page. Paperbackpages. Published May by Anagrama first published To see what your friends thought of this book, quw sign up.
Lists with This Book. I’ll announce the cliche of my loving this carvrr before you beat me to it. I’m an overeducated, mock-contemplative early-twenty-something with a penchant for strong male voices despite my feminist leanings and a distaste for anything too sentimental. I was raised in the tradition of “Show, Don’t Tell” and hold this closer than even my favorite teddy whose name is Atticus. My middle name is “Minimalism. Raymond Carver’s name should be in lights.
Everyone who likes this book is going to tell you that one of Carver’s strengths is his knack for understatement.
I’m guessing what they’re getting at is Carver’s ability to keep all the mechanics of his stories imperceptible beneath the surface, with maybe a few out-of-character exceptions the alcohol device in the title story being one.
There’s also the fact that Carver seems to accomplish things in hablakos span of one page that so many authors would kill raymonr more trees and possibly small children, and maybe even a puppy or two to achieve; see the opening page of “Tell The Women We’re Going” to see what I mean. How many authors can convincingly sum up the entire personal history of two characters in only one paragraph? Beneath the tightness of each story there seems to be a cuanddo pulse.
Not the rhythm of the language. Rzymond, the kind of pure life energy that all artistic works strive for or at least they should. When stories took turns “for the worst” is implicitwhat startled me more than each outcome was often the fact that I was so moved by them each.
It’s because of this pulse that characters who existed for only 3 or 4 pages still seemed to walk off the page and become real.
And that’s probably what will make these stories linger in my memory. People often seem to speak of “Raymond Carver’s America” when they’re trying to grasp these stories.
I don’t know what that means, or if Raymond Carver’s America is anything like mine. Whatever it is, it’s tortured and beautiful. And I like it.
View all 17 comments. I haven’t even read hablamoz book. I was just checking the reviews before I get it. I wish I could put my words together in such an eloquent way like Wow!! I wish I could put my words together in such an eloquent way like you did. This is an habllamos sell. If you are not already an author I hope you are using your flair for others to enjoy your writing.
De qué hablamos cuando hablamos de amor by Raymond Carver (4 star ratings)
Dhivyaa Naraayani What a wonderful review! Dec 27, A collection of slice-of-life short stories that mostly go nowhere and end habla,os, and for some damn reason I loved them. Carver gets mileage out of yard sales, photographers offering their services, accidental death, a night of bingo, doing things and doing nothing, talking yet saying nothing.
As a reader, I was frustrated when some xe the stories went nowhere. I expected and hoped for big conclusions, finality, and instead I got dudes driving away from confrontations holding ashtrays. But A collection of slice-of-life short stories that mostly go nowhere and end ambiguously, and for some damn reason I loved them. But then there would be subtle moments of human nature revealed, true revelations of our unnecessarily complicated lives, that would make me catch my breath.
I read this over 20 years ago and I’m afraid some of the particulars of the collection escape me. However, what I’ll not soon forget is the quiet desperation Carver made me feel for everyday people whose lives had derailed. I was in college and full of life. Middle-aged regret is not something kids of that age tend to fully understand, yet Carver made me feel that horrid indecision, rqymond deep-seated pain.
These are emotions worth enduring for the price of reading this beautiful prose. View all 11 comments. When you open my letter you will recall those days and how much, just how much, I love you. Capturing bliss in one word, crystallising tenderness and love at once into a precious gift and a delicate act of remembrance, Hummingbirdthe affectionate poem closing this collection, charmed me in its endearing simplicity and ended up as my favourite – reading this short poem magically transporting to the moment of receiving and later cherishing of a letter or a postcard dear, the one you keep close to you and take with cuxndo until it is ragged, almost perished, the words barely discernible anymore, a four-leaf clover in your heart for the rest of your days.
The Collected Poemswhich is a compilation of his 5 poetry collections – I only knew and read Raymond Carver as a short-story writer. A few of these poems strike as miniature stories, vernacular in tone, narrative and direct in style, the nightly atmosphere and a certain rawness at times reminding me of some of the songs by Tom Waits, hanging out in a bar like in the long opening poem You Don’t Know What Love Is an evening with Charles Bukowskior at the ramshackle party of booze and despair in Union Street: San Francisco, Summer The simple pleasures of love.
The sweet comfort of holding hands giving strength to endure time consuming us Through the Boughs. Hips, thighs and loosened hair celebrating in the dark sensuality of liberty This Word Love. The traces on a lip left after a wild night Yesterday. The bittersweetness of longing and hope, the pain of losing love Still Looking Out of Number Oneof loss and grief, of missing, of transience, evoking tenderness and melancholy without threading onto mawkish ground, conjuring up a quiet night where a couple unobtrusively breaths together closing the day in the intimacy of their home The Best Time of the Dayor seizing the simple joy and warm thoughts when coming home where the one you love welcomes you Waiting: The house where trees are laden with fruit.
Where phlox, forsythia, and marigold grow. The woman who loves you. View all 56 comments. Milan Kundera in his short story collection Laughable Lovestalks about the inevitable absurdity that revolves around the highly misunderstood feeling of Love that begins with innocent stargazing but later tempt numerous meteors to destroy the vulnerable abode of lovers.
What remains is this filthy carcass of emotions that some people tag Milan Kundera in his short story collection Laughable Lovestalks about the inevitable absurdity that revolves around the highly misunderstood feeling vuando Love that begins with innocent stargazing but later tempt numerous meteors to destroy the vulnerable abode of lovers.
What remains is this filthy carcass of emotions that some people tag along wherever they hablxmos while some bury it in the most unwholesome style in the graveyard of their habla,os.
And in a place.
De qué hablamos cuando hablamos de amor by Raymond Carver (1 star ratings)
And people would come to hablamls door. In an instant, the surefooted destiny stumbles and a suffocating despair assumes a confident stance because when we talk, we often fail to communicate effectively and rely a little too much on the unsaid.
Carver succeeds with this book because of the negligible distance he has maintained with the reality that defies the lofty motifs of life and explores the silent frustration of clueless mortals. The characters amkr to be the uninspired architects of some amorphous structure that demonstrates their clumsy choices and in their attempts to carvfr the same, cadver toss around rhetorical questions and alternate opinions without any didactic purpose.
View all 48 comments. If one wanted to distill the stories within this collection down to a pithy, invertedHallmark-style aphorism, this would be a top contender. Click For Review Soundtrack: Okay, we can quibble and refer to this trifecta more aptly as the true plot devices perhaps.
They somehow mysteriously manage to be sympathetic, despicable, objects of pity, curiosity, and so on. But basically everyone is miserable in one way or another. That shit really comes alive and drunkenly tap dances upon amot page. And herein lies the magic of Carver for me–how does he do it?
I say “magic” in both in the colloquial, metaphorical sense of “pleasant,” “enchanting,” and so on—and also, more so, in the sense of literal magic tricks. How does he do it? Another thought that crossed my mind is that it almost feels wrong, like morally incorrect, to try and put some new, clever, summarizing spin on these stories and the superior collection Cathedralwhich left me more or less wordless in my “review”.
To try and wax analytic with such raw slices of life does indeed seem to miss some Point that may or may not be ciando about. To exchange pieces of ourselves while we can. View all 96 comments. Any book that can inspire Murakami to steal most of the line must be worth reading. Well I thought so, though it took me some time to get around to this collection of 17 short stories.
The cover of the Vintage Classics version Hablxmos read is sparse and the blurb gave nothing away. Ah well, in for a penny… Originally published inthe prose is lean and the general mood somewhat disturbing as Carver explores the nature of life and love. As I worked my way through the collection the stories seemed to increase in length and complexity. Many of the characters were not easy hablaamos like – many were alcoholics and adulterers — but there was a compelling darkness and variation that seemed to draw me, urgently, from one story to the next.
Short Cuts directed by Alan Atman, in About Carver, he says: His stories are all occurrences, all about things that jablamos happen to people and cause their lives to take a turn. Maybe the bottom falls out. Maybe they have a near-miss with disaster. Maybe they just hanlamos to go on, knowing things they don’t really want to know about one another.